Download Altered Landscapes: The Photographs of John Pfahl by Peter C. Bunnell PDF

By Peter C. Bunnell

John Pfahl is a modern photographic artist whose physique of labor spans the previous thirty years. He makes use of nature as his material, yet introduces components resembling string or aluminum foil, and arranges those fabrics with uncomplicated methods of point of view. This e-book covers a few of his earliest paintings, and indicates his knack for controlling point of view to create images that appear flat, yet upon nearer inspection demonstrate themselves to be fairly giant.

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Additional info for Altered Landscapes: The Photographs of John Pfahl

Sample text

Your golden ear . . Thank you for not hurting me. Or squashing my spirit . . I couldn’t bear it . . I’ve been stupid too many times . . here I am . . again. Sabotage . . You have left your mark on me . . I’m grateful . . I won’t forget . . I shall be more realistic— I know some good men. Suitors aside . . I’m such a rebel . . with my choices . . I should be so lucky . . I’m refocusing . . but . . you’re such a gentleman . . You are in charge . . I must start a life with someone .

Hot—passionate dreamy scenes . . The girl next door—shyness—”it’s my first time’’ but—not my last . . (wink) —I’m planning a mysterious coup— Want to get in on it— Julian Assange? Is it healthy, to be fantasied about . . by many men—? ) (soldiers) I am human you know— left to adjust to the madness— No mercy—pay the price—my fault BG—feeling empty, sad—withdrawn— Left to Isolate—Medicate. Go to sleep— ME—NO! I won’t— ME—You know—It’s not freaky enough, to just be beautiful— I’ve never felt beautiful— I always felt sexual .

Los t— no way— Coded, and l oaded cell p hone, Computers— ordering sex online— is like orde ring a book o n Amazon— and . . sno oping eats y ou alive— A mirrored a ction. Hopeless—kn ocked sidewa ys— There is alw ays this fee ling of disconten t— Like somethi ng is off . . I can’t put m y finger on w hy— Who wants to be the Warde n? I want out of here—out of this time— in space— Grey, muted crystals— dull—no fire —no life . . Laying in my hotel bed— pulling up m y stockings— carefully re-attachin g to the gart e, the Cuban he el—the line (on course t o heaven) the works .

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