By Martin Evening
Expert advertisement photographer and electronic imager Jeff Schewe (based in Chicago, united states) has teamed up with best-selling Photoshop writer Martin night to create this goldmine of knowledge for advanced Photoshop clients. construction on Martin Evening's winning Adobe Photoshop for Photographers sequence of titles, this new consultant takes a similar profitable approach and applies it to a specialist Photoshop workflow. hugely visible, with transparent, step by step tutorials, this complicated advisor will rather entice those that are looking to see how the specialists procedure Photoshop, producing consistent top-quality effects on time and to price range. The authors describe intimately easy methods to perform a few of their favourite Photoshop photo modifying and retouching innovations using examples taken from real-life specialist shoots. The concepts defined right here do not simply exhibit you shrewdpermanent stuff you can do in Photoshop, they exhibit how one can use Photoshop in a qualified context, assembly the calls for of artwork administrators and pleasing tough briefs. hugely sensible, exact and encouraging, this is essential interpreting for all specialist and aspiring specialist photographers, and an individual else trying to find top quality effects utilizing Photoshop. * Gain a special perception into a professional Photoshop workflow, with specialists Martin night and Jeff Schewe* develop into a retouching grasp with complicated protecting and compositing suggestions* organize your pictures for the very best output
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Extra info for Adobe Photoshop CS4 for Photographers: The Ultimate Workshop
At the end of the day, 11 megapixels of data captured on an average zoom lens is plenty enough pixels for most reproduction quality work, but if you need extra detail, and want to make the most of what the sensor can offer, then you do need to think carefully about the lenses you shoot with. Another consideration is the fact that ﬁlm lenses were designed to resolve a color image to three separate (red, green and blue sensitive) ﬁlm emulsion layers which overlaid each other. 29 This shows a close-up view of a detailed subject where the top picture was shot with the mirror-up option switched off and the bottom picture was shot with the mirror-up option switched on.
13 you can see an Exposure adjustment being applied. As you adjust the Exposure you can also use the Histogram to be your guide here to make sure that you don’t push the Exposure slider too far so that you clip the highlights. You can also use the highlight clip warning here as well, or hold down the O A key as you drag the Exposure slider and check the appearance of the Threshold preview shown on the screen. 13 Setting the overall Exposure and highlight clipping point. 32 Chapter 2 Raising your IQ Recovery The next step is to make sure that there is no signiﬁcant clipping in important areas of highlight detail.
Note that the Radius was higher and the Detail slider lower for the low frequency image with masking set to 30. Also note that the Luminance noise reduction was set to 40 to kill noise in the sky and water. The top layer needed a lower Radius, a higher Detail setting, and less Masking and Luminance noise reduction. 28 The ﬁnal result of the Smart Object capture sharpen blend. 8 lens. 49 Martin Evening & Jeff Schewe Adobe Photoshop CS4 for Photographers: The Ultimate Workshop Improving camera capture sharpness It is all very well devising a sharpening workﬂow that includes capture sharpening, but it’s also important to ensure that the images you capture are as sharp as they can be.