By Mary Benson
The autobiography of Mary Benson, a white South African author identified for her paintings opposed to apartheid, whose lifestyles illustrates a public and private drama. She describes her early years spent in Hollywood and her existence as a committed employee againest apartheid.
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Additional resources for A Far Cry: The Making of a South African
Now it was the turn of the Allies to capture thousands of prisoners as the enemy was forced back through Cyrenaica. then through Tripolitania. As an officer I was free of the constraints and the abnormal life of barracks, free to live in a flat on Gezira Island and to play tennis at the club. Among new friends was a droll commodore with a lively resemblance to Punch. I was showered with attention by top brass, they were sweet and avuncular. It all went to my head. Even Ranee lost patience at miy capriciousness, Gavin suggested meeting for Christmas in the Lebanon.
At the first night of the Andersoll/Weil musical, Lost in the Stars, I wept as I'd wept while reading the novel, but the critics thought it did not do justice to the book Alan went on to lecture in six cities, ending up in a small, warm log cabin among California's redwoods. 'There is a pla e to eaI a hundred yards away,' lie reported. 'I have cigarettes and a bottle of whiskey and two packs of cards. An anthology of verse, an English and a Zulu bible, an Afrikaans New Testa ment, Jeffers's poems, Henry Green's Lovi'ig, Thoreau's Walden, paper, pen, ink.
As he continued to read novels, we swopped views of the great Russians as well as recent bestsellers. Froin childhood I had been peculiarly influenced by books: although Peter Pan's ability to fly like a bird did not have mic leaping off the roof, it undoubtedly led to my choice of a tenth birthday present. a glorious flight in an Avro-Avian two-seater biplane; and '1c Constant Nymph sent me on a solitary pilgrimage to the Austrian Tyrol in i93 8 in hope of finding an exotic l ohemian fimily like the Sangers, although I could never cluite reconcile my idea offa fragile Tessa with Michelangelo's ample I)elphic Sybil to whom the author compared her.